"Било ли е, или не е било? През 1963 година влязох в театъра... Някак на шега, уж временно. За един сезон. А се оказа - завинаги. Всъщност завинаги ли? Нали вече толкова години съм лишен от сцената? Брутално беше разрушен моят втори театър "Възраждане", с който така спартански устоявахме на превратностите на времето. А първия - Бургаския - напуснах сам. И все по-ярки стават някогашните спомени. Нали колкото по-остаряваме, толкова по-често се връщаме към миналото. Ето... тази книга е един поетичен дневник на моята любов към сцената. Едно припомняне за опитите ми в драматургията, в режисурата, в театралните ... |
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За какво живей човекът? Не ли за мига, когато сменя махмурлука с чаша бира? За какво живей човекът? Не ли за мига, когато сменя на маслината солта вечерна с глътка сутрешна вода? За какво живей човекът? Не ли за мига, когато сменя скуката на половия глад с красивата женска досада? ... |
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They say that the eyes feed first, then the body follows."The idea behind this book started in the land of smiles - Thailand. The specific aroma of Asian cuisine embraces everyone who sets foot in this land. This fragrance lingers in the mind, enriching the memories associated with the exotic. One of the festivals celebrated there, which is deeply connected to the story of this book, is the festival of the floating lanterns. Its preparation begins with the crafting of small boats made out of banana leaves in the shape of lotus flowers, lavishly adorned with petals and candles, before being set afloat in flowing water ... |
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"Управление на продуцентски права при предлагане на електронен достъп до радио-визуални произведения" представлява многоаспектно и интердисциплинарно изследване на начините на менажиране на сродните права на професионалните филмови продуценти в цифрова среда и изграждането на иновативни и ефективни стратегии, лицензионни режими и бизнес-модели, базирани на използване на творческо съдържание. Националната нормативна регулация е анализирана в контекста на реформиране на европейската рамка за постигане на единен и по-добре функциониращ пазар на авторски права и за справяне с предизвикателствата, които поставят пред ... |
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A century after his death, Viennese artist Gustav Klimt (1862 - 1918) still startles with his unabashed eroticism, dazzling surfaces, and artistic experimentation. This monograph gathers all of Klimt's major works alongside authoritative art historical commentary and privileged access to the artist's archive. With top quality illustration, including new photography of the celebrated Stoclet Frieze, the book follows Klimt through his prominent role in the Secessionist movement of 1897, his candid rendering of the female body, and his lustrous golden phase when gold leaf brought a shimmering tone and texture to ... |
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"Малко непривично съм събрал тук сатирични стихотворения и не толкова сатирични песни. Сатирата винаги ме е привличала, още от студентските години, от оня легендарен стенвестник "Трън", в който ние, десетина студенти, пишехме под псевдонима Трендафил Акациев...""Возят ме днес с мерцедеса по Руски два бодигарда и всеки с пищов Гледам отсреща продава закуски моята първа голяма любов. Беше момиче с богата фантазия, пълна отличничка, суперталант десетокласничка в осма гимназия, а аз бивш затворник и хулиган. Ваня се казваше. Казвах й Ваничка. Носеше дънки и къси поли. Тя във сърцето остави ми ... |
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At the age of six, Salvador Dali (1904 - 1989) wanted to be a cook. At the age of seven, he wanted to be Napoleon. "Since then", he later said, "my ambition has steadily grown, and my megalomania with it. Now I want only to be Salvador Dali, I have no greater wish". Throughout his life, Dali was out to become Dali: that is, one of the most significant artists and eccentrics of the 20th century. This weighty volume is the most complete study of Dali's painted works ever published. After years of research, Robert Descharnes and Gilles Neret located painted works by the master that had been ... |
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Master of the sublime: The essential Impressionist. ... No other artist, apart from J.M.W. Turner, tried as hard as Claude Monet (1840 - 1926) to capture light itself on canvas. Of all the Impressionists, it was the man Cezanne called "only an eye, but my God what an eye!" who stayed true to the principle of absolute fidelity to the visual sensation, painting directly from the object. It could be said that Monet reinvented the possibilities of color. Whether it was through his early interest in Japanese prints, his time as a conscript in the dazzling light of Algeria, or his personal acquaintance with the ... |
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Following up on the best-selling cookbook Les diners de Gala , in this delightfully eccentric guide the surrealist master shares his passion for the gift of the gods. The book explores the many myths of the grape, in texts and sensuous and subversive works by the artist, always true to his maxim: "A real connoisseur does not drink wine but tastes of its secrets". Hot on the heels (or lobster claws) of the best-selling Salvador Dali phenomenon, Les diners de Gala, Taschen presents the artist's equally surreal and sensual viticulture follow-up: The Wines of Gala. A Dalinian take on pleasures of the grape ... |
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Award-winning readers series of original fiction for learners of English. At seven levels, this impressive selection of carefully graded readers offers exciting reading for every student's capabilities. On a hot August night in Milwaukee in the USA, a young artist and a gang leader's girlfriend are shot in the street, a woman dies mysteriously in the Mercy Hospital emergency room, and a famous artist is killed at the opening of an exhibition of his work. Dr Maxine Cassidy feels sure there must be a connection between these events and sets out to find it. ... |
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Lucian Freud (1922 - 2011) was interested in the telling of truths. Always operating outside the main currents of 20th-century art, the esteemed portrait painter observed his subjects with the regimen and precision of a laboratory scientist. He recorded not only the blotches, bruises, and swellings of the living body, but also, beneath the flaws and folds of flesh, the microscopic details of what lies within: the sensation, the emotion, the intelligence, the bloom, and the inevitable, unstoppable decay. Despite rejecting parallels between him and his renowned grandfather, the correlation between Lucian Freud's ... |
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"For a person to write a book like this, he has to love art, passionately and selflessly, and to love, of course, the artist as well. The author possesses these qualities in full measure. But even with the love, enthusiasm, and admiration that permeate the entire book, it in no way amounts to a glorification, veneration, or canonization of Zlatyu Boyadzhiev’s image. Quite the opposite - the author has succeeded in keeping a necessary distance, allowing him the opportunity to combine an up-close and a distant view of the artist. He doesn’t carve a monument, he doesn’t paint an icon; rather, he presents a dynamic image, ... |
